Cellulosed Bodies (Original Score)

• : Crash
• A1: Fur and Metal
• A2: Sharing A Smoke
• A3: Perverse Technology
• A4: A New Wound
• A5: Body As Machine
• A6: Shattered Glass
• : Automation
• B1: Initialize
• B2: Next Subject
• B3: Endoscopy
• B4: Examination
• B5: Acceptance
• B6: You Belong To The Machine
• B7: Observation
• B8: Stretching / Invading
• B9: Who Is In Control
• B10: Subdue Yourself

Genres: Electronic
Styles: Darkwave, New Wave, Dark Electro, Dark Ambient, and EBM

Augustus Muller, also known as Gus of Boy Harsher, collaborates once again with Four Chambers to present 'Cellulosed Bodies'. This release includes two scores, 'Crash' and 'Automaton', under the label Nude Club Records.

Four Chambers is described as the brainchild of experimental pornographer Vex Ashley, a multifaceted artist involved in filmmaking, photography, and cultural phenomena. The scores in this release serve as soundtracks to films by Ashley from the previous year.

Muller showcases his expertise in creating stark, industrial soundscapes with 'Crash' and 'Automaton'. He elevates the compositions by incorporating club elements like 'nu disco' influences and vocal samples, aligning with the theme of the intersection between the human body and technology depicted in the films.

'Crash' pays homage to David Cronenberg's 1996 film of the same name, delving into the eroticism of car accidents explored by both Ashley and Cronenberg. Muller draws inspiration from this juxtaposition of violence, reflected in tracks like “Body and Machine” and “Perverse Technology”.

On the other hand, 'Automaton' reflects the experimentation born from pandemic-induced isolation, focusing on themes of technological intimacy. Muller opts for a less industrial sound, leaning towards synthetic instrumentation in tracks like “Who is in Control” and “Observation”.

Both sides of 'Cellulosed Bodies' intricately explore the complex and erotic relationship between the human