The Same
Sync Or Swim
Sync Or Swim
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Released 2021, US
Before there was Rimarimba, Suffolk-born, Felixstowe-based musician and home recording enthusiast Robert Cox assembled a cast of friends, some musicians and some not so much, for an experiment in group exploration and ecstatic expression under the name The Same. Sonically and gravitationally defined by Cox's collaboration with guitarist Andy Thomas (a partnership which formed in 1976 to record as General Motors), Sync or Swim, The Same's one and only album, also featured keyboards by Florence Atkinson and Paul Ridout, and vocals by Robert's sister Rebecca. Originally released in small cassette and vinyl quantities on Unlikely Records, Cox's imprint and a meeting point for many other musicians found at the fringe, the back cover of the original album jacket is as much a map of the personnel, place, and process fundamental to Sync or Swim as it is a table of contents for DIY music-making at the beginning of the 80s: "Recorded in peaceful Wiltshire between September 18th and October 6th, 1981 (using a miscellany of homemade devices) onto a Teac A-3300SX via a Teac A-3440. No noise reduction systems were used." The additional equipment listed - a combination of consumer technology and DIY innovation - speaks to an unpretentious, improvisational ethos that pilots Sync or Swim, and Cox's career as a whole. Rimarimba, whose near complete discography Freedom To Spend made available again in
SKU:603786279181
Tracklist
Tracklist
- A1: Set Zero (4:02)
- A2: Hot & Cold (4:14)
- A3: Larruping Shuftly (0:27)
- A4: Auntie Meat (1:32)
- A5: My First Ride In A Metro (3:15)
- A6: Sampled & Held (3:54)
- A7: Sync Or Swim (2:19)
- B: E Scapes (20:47)
Genres & Styles
Genres & Styles
Genres: Electronic
Styles: Electroacoustic, Abstract, Ambient, Musique Concrète, and Tribal
Other Information
Other Information
Recorded in peaceful Wiltshire between September 18th and October 6th, 1981, this album captures a unique blend of sounds using a variety of homemade devices along with professional equipment such as the Ibanez AD 150 Analog Delay, Bi-Pak Graphic Equalizers, a Small Stone Phaser, a Pignose, and Maplin Spring Lines. The recordings were made onto a Teac A-3300SX via a Teac A-3440, without the use of any noise reduction systems. This release has been meticulously transferred and remastered from the original tapes for an enhanced listening experience.